That’s why I call them “killer licks”. Jeder Gitarrist begegnet früher oder später dem Blues. Alternating Between The Major And Minor Pentatonic Scale. See the lick at 2:30 Key of E. This is a great blues lick that tons of players use. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. These licks work great almost anywhere, so I really wanted you to see that. Robert you have managed to capture my attention once again. The other (intermediate), is a slow blues at 65 BPM. This will result in a melodically more advanced sound. Special Deal – Order Stout Blues and get the 6 Killer Licks included. Part of the series: Blues Piano Licks. Learning blues guitar licks like the one above and applying them when you're improvising over backing tracks will make your soloing more advanced. Blues Lick 1 ist ein klassischer Penatonik/Blueslauf in der V. Lage, im Stile von Mark Knopfler. For the gear, I used a Suhr Pro C1 guitar, a D’Angelico EX-SS, a Suhr Badger 18 and the 12 St. Special from KOAmps.com, Thank you very much for your lessons!Keep rocking and stay safe, Robert, again it's been fascinating learning from you. In this article we are going to look at some of these so you can expand your options when you are playing blues solos. In this advanced intermediate lesson we'll be looking at a really juicy lick using some draw bends again and some cool rhythmic and textural features. Enjoy! I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. Thanks, the very best for you. Also work the other way around; start with the minor pentatonic scale and try to shift to the major pentatonic scale fluently. Try to experiment with this way of linking together both scales. Take note of the use of the C#-note in the second measure of this lick. Article written by Leigh Fuge that focuses on some advanced, bluesy lead guitar licks based in minor pentatonic scale shapes. There are loads of notes in this one so it takes some practice. This is normal, because the notes are positioned differently in the minor pentatonic scale then in the major pentatonic scale. Blues in G-Dur. Simply start playing a lick in the major pentatonic scale and try to make the transition to the minor pentatonic scale as smooth as possible. Using half-step bends to shift from the minor pentatonic scale to the major pentatonic scale. Track your progress by marking which guitar licks are your favouries. Chordal licks - These licks are based on blues chord shapes and can be added to both solos and rhythm guitar parts. It’s a fact that some of the notes in this scale will ‘clash’ quite a bit with the dominant seventh chord it’s being played over. Eine Übung für ein Blues Solo. Still most experienced guitarists will choose to either: Not use the minor pentatonic scale at all (that’s the main reason why many beginners on blues guitar improvisation hear that what they play doesn’t sound anything like the licks and solo of their favourite players, but they don’t know that they actually are using different scales). Using more advanced guitar scales such as the dominant pentatonic scale and the mixolydian mode to give your soloing a jazzy feel (don’t worry, it’s not as hard as it sounds). Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. But did you know that the minor pentatonic scale isn’t the best choice to play over a blues chord progression? Here is a fun lesson for you who want to learn killer blues licks. Robben Ford style ideas using altered, chromatic and lydian b7 scales are looked at and many exciting licks are drawn from these scales. If you improvise using a 12 bar blues progression there are plenty of other options that you can choose from. I have already a lot of your courses and I love to see them others you've got on You Tube. Every lick is available in all 12 keys. Why The Minor Pentatonic Scale Is Not The Best Option To Use. In the chord diagrams below you see both the minor and major pentatonic scale in the key of A. So. Because we add this note (that originates from the A major pentatonic scale) to the minor pentatonic scale we create a slightly more major pentatonic sound, while still playing in the minor pentatonic scale. That’s why we’re going to look at some transitions in which you can combine these two scales. One of the most important things that music theory will teach you is to spell out the notes in a scale and compare it to the underlying chord. In some ways, you are getting 2 lessons in one. A-mazing! Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. Blues Scale. The 3 notes in the beginning are the same for all the licks, and I’m carefully explaining how you should pick and dampen these notes, so that they ring clear and sound just right. Still most experienced guitarists will choose to either: Its definately a 'follow on'book and will suit the intermediate player ..beginners should start with the 1st book mentioned above You can't fail to progress if you follow this book. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. Smoky Bar Blues. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. How Professional Blues Guitarists Use The Minor Pentatonic Scale. This time, I’ve created a fun lesson for you who want to learn killer blues licks. So these scales can be used interchangeably if we play over a ‘Blues in A’ (the term ‘Blues in A’ is used when we are playing a Major Blues in the key of A, when we would play a Minor Blues we speak of a ‘Minor Blues in A’). You will get 6 videos – introduction, 2 performances, 2 slow motion, and the breakdown. As much fun as learning to improvise on guitar in this way is, it’s important that you don’t get stuck in this phase where you are only using the minor pentatonic scale in your soloing. When you start playing solos and thinking of the architecture of a solo, how to build up and release tension and all these things, you need a basic set of Blues licks to start with. If you order the modern blues soloing course Stout Blues, you will get this course included! The first one (advanced), is a fast blues-rock track at 145 BPM. It’s true that the minor pentatonic is the first scale that you’ll learn in blues improvising, but this doesn’t mean that we have to stay stuck only using this scale. Having the option to use more advanced scales leads to greater melodic freedom and is a great thing to have in general. 6 licks may not sound like a lot, but you see, I’m playing these licks over 2 completely different tracks. Use a variety of techniques to alter the C note (if we play the Am pentatonic scale) so this note becomes a ‘passing note’ instead of a ‘target note’. Advanced intermediate V-IV-I blues licks. Thanks for the motivation! One advanced and one intermediate. You will notice that even though this sometimes will result in a nice sound, sometimes it will be challenging to create a fluent change between both scales. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. 12 Bar Blues Solo (Intermediate/Advanced), Scales You Can Use When You Play The Blues. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. Verschiedene Blues Scales. These licks work great almost anywhere, so I really wanted you to see that. In the final V-IV-I lesson of this series, we'll be trying a really tricky lick for advanced players. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. You will notice that this way of playing will prove a radical shift in your sound and will spark your creativity. 96 licks that will sound great the next time you are jamming on stage or with friends. ︎ http://www.masterguitaracademy.com/killerlicks Killer Blues Licks! I am having so much fun. Creating A Fluent Transition Between The Major And Minor Pentatonic Scale. These licks are great in several ways; you really get to know that pentatonic box, since all licks start at the same place. Every lick is available in all 12 keys. Stuart Bulls Advanced Blues in 6 Weeks guitar lesson course Week 2: includes ideas that are a step away from traditional blues. In a solo you can use all these licks as a base, combining them and using additional notes. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. They will sound "killer" at Friday's night rehearsal with the rest of the band. Every lick is available in all 12 keys. You can learn all of these approaches with advanced blues licks to practice in the free. In der … Bad Boy Blues. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. Below you can check out one of the 6 licks. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. Many highly advanced blues guitarists make use of not one single scale, ... used to playing the minor pentatonic scale and try to ‘copy’ your licks, phrases and runs to the major pentatonic scale you’ll find that this doesn’t work well. Many intermediate guitarists get stuck playing only the minor pentatonic scale over blues chords. There are so many other scales that can be used in blues guitar soloing that it would be a pitty to only make use of the same scale all of the time. In the example below we start of in the major pentatonic scale and then transition to the A minor pentatonic scale. In any form of music, some melodic ideas sound more at a home than others. Alternating between the major and minor pentatonic scale, but only using one of these two scales on certain chords. Worauf Sie als Käufer vor dem Kauf Ihres Free blues guitar licks achten sollten! Let’s examine exactly why this minor pentatonic might not be the best option. Eine Übung für einen Smoky Bar Blues. Still most experienced guitarists will choose to either: It’s important that you understand that it’s perfectly legitimate to use the minor pentatonic scale to play over dominant blues chords. The other (intermediate), is a slow blues at 65 BPM. Stuart Bulls Advanced Blues in 6 Weeks guitar lesson course Week 2: includes ideas that are a step away from traditional blues. 96 licks that will sound great the next time you are jamming on stage or with friends. They are great if you want to further develop your skills or if you want to fill up a 12-bar with nice licks great for anything you can think of. You can try this out for yourself; play these two notes simultaneously on guitar and notice the dissonance between these two notes. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. However, his instruction on how the phrases are constructed, opens up a whole new library of licks that you can create and add to your own vocabulary.All 6 licks are built off the same first three notes which are a typical blues staple phrase all blues players are familiar with and all in the familiar shape we know and love....the pentatonic. These are stellar blues licks that you can transform into your very own. An A minor backing track using some "jazz" chord changes is used to demonstrate the use of jazz licks within the blues. That’s why I call them “killer licks”. There are many more possibilities that you can learn to expand your options when soloing in the blues: You can learn all of these approaches with advanced blues licks to practice in the free Blues Guitar Solo Guide On How To Play More Advanced Guitar Solos. Beginner Blues. BLUES LICKS. Kind regards Michael. Fast licks - Speedy, technical runs that can excitement to any blues solo. You will get 6 videos – introduction, 2 performances, 2 slow motion, and the breakdown. Die besten Blues Licks 1 . It’s just that there are many options that can be explored instead of using only the minor pentatonic scale in your soloing. So if you would solo over a song in the key of A you could use the A minor pentatonic scale as well as the A major pentatonic scale. I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. Mp3 files for performances and backing tracks are also included. Now try this: play a solo over a blues in A backing track en switch back and forth between these two scales. If you're a blues/rock player this lesson is a must have. If we would play over a ‘minor blues’-progression (with for instance the chords Am7, Dm7 and Em7) we can’t use this option. Um für diese Situation gerüstet zu sein, präsentieren wir euch heute einige typische und einfache Blues-Licks, die sich hervorragend in viele Situationen einbringen lassen. Blues Piano Advanced Lick Five. Every lick is available in all 12 keys. Blues Solo. 96 licks that will sound great the next time you are jamming on stage or with friends. Robert has come through again with a simple, yet very effective approach to utilizing 6 really cool licks in a variety of tempos and feels.In this lesson he addresses only two feels, a rock blues and a slow blues approach. By using this app you'll never run out ideas when improvising again! Yet this approach is only one of the many possible ways we can use and if overused it may appear to the listener that you play the same solo in every song. Remember when you first learned the minor pentatonic scale. This Version is just to help everyone with a couple licks they can use that sound great. The change from the minor pentatonic to the major pentatonic scale (and vice versa) will often sound to ‘abrupt’. Using the minor pentatonic scale to improvise over blues chords is the approach that almost every beginner blues guitar student learns. Advanced V-IV-I licks. Diese Licks sind für Anfänger und Fortgeschrittene geeignet. Eine Übung für ein Bad Boy Blues Riff. Learn how to become a master blues guitarist through my, Why Your Blues Guitar Soloing Doesn't Sound Anything Like The Solos Of The Best Blues Guitarists. Whether you’re listening to Robert Johnson, … All of the licks that we’ll look at here will be presented in the context of an A major blues. An A minor backing track using some "jazz" chord changes is used to demonstrate the use of jazz licks within the blues. One of the options that we can use to add more variation in our blues guitar soloing is to alternate between the minor pentatonic scale and the parallel major pentatonic scale. Every lick is available in all 12 keys. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Advanced guitarists don’t use one single scale to play blues solos, but use a combination of many different scales, which makes their sound more advanced and highly personal. Verschiedene Blues Übungen in A Major. Use the minor pentatonic scale but alter some of the notes. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. For example, the notes in the A minor pentatonic scale are; A, C, D, E and G. Compare this to the A, C#, E and G note and you will find that the C note from the minor pentatonic scale is not present in the chord. The possibilities for creativity are endless. The licks are laid out in different Blues styles ie Slow Blues , Jump Blues etc. Track your progress by marking which guitar licks are your favouries. In fact, the C note that is contained in the pentatonic scale will sound pretty harsh against the C# note that is found in the A7 chord. The first one (advanced), is a fast blues … Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners A wide range of scales are used including the minor pentatonic, the blues scale, the major pentatonic and the dorian and mixolydian modes. If you are an intermediate player who want to get better at playing great sounding licks over rock or blues, this one is for you. You discovered how to improvise on guitar and before you knew it you were playing your own blues guitar licks. One advanced and one intermediate. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. By helping UG you make the world better... and earn IQ Suggest correction For instance, when soloing over a blues in A, you could use the minor pentatonic to play over the D7 chord and play the major pentatonic scale over the other chords. So let’s look at how you can become more creative with different scales and licks to radically improve your overall blues guitar soloing. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. Blues Licks in A Major. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Highly recommended to help grow your lick library. They are practical and I use them a lot in my playing. Eine Übung für ein Beginner Blues Riff. This is also the reason why experienced guitarists don’t only rely on this minor pentatonic scale when their soloing in a blues context. Decent sound samples of each lick with a BT to play along as well. In some ways, you are getting 2 lessons in one. 6 licks may not sound like a lot, but you see I’m playing these licks over 2 completely different tracks. I love these licks. Start to experiment with these approaches in your own guitar playing. You can change the timing and the key to customize these licks to virtually anything. Here it is important to realize that we can only go for this approach when soloing over a ‘major blues’ (which means we are playing over a blues progression in a major key with dominant 7th-chords, such as A7, D7 and E7). This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. They are also great starting points for creating your own licks. A lick contains a few notes which belong together like words in a sentence and have special meaning or express a certain feeling. The first one (advanced), is a fast blues-rock track at 145 BPM. In der … this Version is just to help everyone with a couple licks they use. 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Scale in the context of an a major scale runs that can be explored instead of using only minor! But only using one of these so you can transform into your very.. But only using one of these approaches with advanced blues licks based musical!

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